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The Schiller Institute
campaign for a change in concert pitch from A=440hz back to A=432hz is
based that 432hz is deeply connected with nature and the vocal chords of
singers will not be damaged by higher ranges when centered at concert
The imposed 440Hz
1939 Nazi propaganda minister Joseph Goebbels dictated 440Hz as the
standard tuning pitch. This to let people think and feel in a certain
manner, and to keep them a prisoner of a certain consciousness. This in
spite of that Professor Dussaut from the Paris Conservatory wrote a
referendum that was signed by 23,000 French musicians who all were for
the preservation of the A= 432Hz. Freedom of choice in bringing back
the frequency of the earth is what it's all about today.
The recent rediscoveries of the vibratory/oscillatory nature of the
universe indicates that current contemporary A=440hz international
concert pitch standard may possibly generate an unhealthy effect or
anti-social behavior in the consciousness of human beings.
A=440hz as a standard for concert pitch possibly may bring an unnatural 8 Hz dissonant change in how we think.
DNA oscillates to protect itself from the environment and stress from
dissonant interferance patterns of mechanical and electromagnetic waves
may possibly effect the abilities of DNA to regulate our genetic makeup
properly. Our inner ear for example works on the basis of Phi
dampening. The waters of our inner ears rely on Fibonacci spiral
dampening through the seashell like structure of the cochlea to keep us feeling
centered or grounded. This Fibonacci spiral shape helps cancel out
certain standing wave interference patterns, like a Helmholtz resonator,
in order to keep us properly balanced with the natural environment
around us. When the inner ear is in stress by artificial means, we can
experience a type of "fog like" condition or feel "spaced out". The
natural Phi shape of the cochlea can be found planet wide in a majority
natural organic based life.
A measured phenomenon that supports the idea of using A=432hz as a
concert pitch is based on the amount of musical partials of A=432hz that
is intertwined in organic systems and the time of planetary movement,
the Sun and Saturn for example. Saturn is the solar systems accurate
time piece and it orbits the procession ever 864 years
(432 x 2).
The harmonic overtone partials of A=432hz appear to line up to natural
patterns and nodal space resonance of scalar waves.
Truly all frequencies affect DNA and consciousness, as we are in a
musical universal medium of dimension through the illusion of motion of
frequency which affects awareness. If you change frequency you can
change the perception of dimension.
The issue is as far as concert
pitch goes, the farther up you go from "C" prime pitch C=128hz (Concert
A=432hz) then the farther you can possibly distort the natural electric
potential that imprints memory on the water in your cells.
perhaps why A=440Hz and higher concert pitches can be experienced as
brighter, thinner, up and to the side of the head, whereas concert pitch
at A=432hz can be experienced in the body at the spine and heart.
Some people experience vivid dreams and lucid experiences of spiritual
connection, once the electrical potential of the sphenoid bone begins to
regulate the cranial and spinal fluid in resonance from music tuned to
A=432hz administered under proper professional cranial sacral therapy.
Audiophiles have also reported that A=432hz music seems to be non local
and can appear to fill a room, whereas A=440hz can perceived as
directional or linear in sound propagation.
Maria Renold's book
"Intervals Scales tones and the concert Pitch C=128hz" claims conclusive
evidence that 440Hz and raising concert pitch above "C" Prime=128hz
(Concert A=432hz) disassociates the connection of consciousness to the
body and creates anti-social conditions in human beings.
Raising concert pitch even higher than A=440hz can cause stress or
warping of acoustic instruments and may seriously damage a singers vocal
chords according to some professional opera singers.
If we examine
the 20the century mass consciousness and the use of A=440hz as possible
mind control in mass media pushed through media & television as the
"British Invasion" of Rock & Roll, we see the potential anti social
behaviors and possible dangers of using higher and higher pitches as
central references for music.
This information was well known over a hundred years ago and Rudolf
Steiner warned mankind that using "Luciferic Brightness and Arhimanic
tones in music could bring a condensing of the satanic greed forces in
the west instead of "C" Prime=128hz (Concert A=432hz) which he mentioned
was "Christ" consciousness of ascendant energy and angel "Micheal" sun tone energy in the collective awareness in the evolution of man.
Unfortunately most western music, including popular new age healing
music is still tuned at unnatural equal temperment concert pitch A=440hz
tuning. The difference between concert pitch A=440hz and Concert
A=432hz is only 8 cycles per second, but it is a perceptible difference
of awareness in the human consciousness experience of the dream called
wondered what the geometry of 432hz would look like using Cymatics so I
contacted John Stuart Reid, the co-designer of the CymaScope™ regarding
his wonderful invention and the geometry of the A=432hz tone.
The CymaScope™ is
the pinnacle of cymatics research and is the concept of John who as an
acoustics engineer, carried out cymatics research in the King's chamber
of the Great Pyramid of Giza in 1997. The
CymaScope™ is an accurate device that measures acoustic vibrations of
nodal points that form patterns of geometry in different liquid or solid
The science of cymatics which is geometry through
vibration was researched and published by Dr. Hans Jenny in 1967, in his
book called The Study of Wave Phenomena.
Here is a transcript of John's correspondence with Brian T' Collins;
"Hello Brian, 432 Hertz pops out as a triangle, every time we image it.
thought there was something wrong with the CymaScope™ but after trying
for more than an hour we concluded that the number 3 was somehow
universally connected to 432 Hertz."
"We captured it on video also and it looks like it's alive, it
writhes and pulsates and refuses to take up any other form. We
researched the reason why it takes up this geometry and it turns out to
be an interesting case:
A is tuned to 432Hz the frequencies of the other A's shift (within a
decimal point) to 27 Hz, 54, 108, 216, 864, 1728 in other octaves.
becomes 576 Hz which becomes 9 Hz, 18, 36, 72, 144, 288, 1152 in other
octaves. E becomes 324 Hz which becomes 81 Hz, 162, 648, 1296 in other
octaves. All of these frequencies are divisible by 3...
Regards, John Stuart Reid."
John had confirmed with his incredible invention the CymaScope™ ,
what seems to be a scientific interpretation of what I believe in my
personal opinion, what Rudolph Steiner in his esoteric knowledge of the
Mysteries of Golgotha and cosmic principals stated; that a prime center
of tone for living enlightenment in mankind is a C=128hz note with the
octave at C=256hz (within 432hz Concert pitch) or Michael Sun tone
A=432hz which ties the spiritual tetra or trinity of spherical scalar
wave patterns and evolution of man ascendant together in sound and
geometry of the super hologram of consciousness. The medium of 432hz is
certain evidence of divine intelligent design of the universe and light.
A 53 note temperament scale based on A=432hz pitch goes less than 1
hertz difference out of harmonic synchronicity over the entire 53 note
scale, most other pitches are out of sync after only two or three notes
up the octave, an excited engineer confirmed that scales tuned to
A=432hz is surely the fingerprint evidence of a intelligent divine
A new quote regarding the amazing properties of 432 from John Stuart Reid's Facebook® page states:
is a harmonic of light frequency it 'speaks' or 'resonates' directly
with our cells. All cells communicate with each other via infrared light
so I imag ine
that when they receive music in 432 Hertz they are in joy. The
conscious you may not be aware of this, but most of what goes on in our
bodies is sub conscious, thankfully! You can read more about how all
sounds create infra red light in the physics section of our web site CymaScope™ "
Hertz truly can be considered a harmonic of light. Sound in air may be
defined as the transfer ...of periodic movements between adjacent
colliding atoms or molecules. This sonic energy typically expands away
from the site of the collisions--at the local speed of sound--as a
spherical or bubble-shaped emanation, the surface of which is in a state
of radial oscillation. At the point of origin of the sonic bubble an
electromagnetic bubble is created by the collisions between the air
molecules, because each collision creates friction that releases a small
amount of infrared electromagnetism. That magnetism, like the sonic
bubble, expands away from source spherically and it is modulated by the
sonic periodicities, in much the same way that an amplitude-modulated
radio broadcast consists of an electromagnetic carrier that is modulated
in amplitude by, say, a person's voice frequencies. Thus, the
relationship between sound and light is real and very much part of the
way that nature works. We cannot talk about the 432 Hertz key note
without visualizing a 432 Hertz-modulated infrared light bubble" Regards-John
***Images copyrighted and courtesy of John Stuart Reid of CymaScope™
as we are in agreement with John to display this image under certain
copyright conditions, please link back and reference this page and
Cymascope™ copyright. Thank you -EDITOR
Thanks to: http://www.elfagot.com