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OUT OF MIND » THE INSANITY OF REALITY » CABAL AGENDA & WORLD DOMINATION » Glimpses of the extravagant Surrealist Ball of 1972

Glimpses of the extravagant Surrealist Ball of 1972

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PurpleSkyz

PurpleSkyz
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Glimpses of the extravagant Surrealist Ball of 1972  Illuminati+shqip

Glimpses of the extravagant Surrealist Ball of 1972
07.23.2018
04:33 am



Glimpses of the extravagant Surrealist Ball of 1972  8aab906faac1dc1b26d2b24556a2e269_465_339_int
 
If you’re ever invited to a “surrealist ball,” my advice is definitely to go. This advice is a hundred times as pertinent if the hosts are among the wealthiest people on the planet.
On December 12, 1972, Baroness Marie-Hélène de Rothschild and her husband Guy threw a lush “Diner de Têtes Surrealistes” at the enormous Château de Ferrières, the house in which Marie-Hélène and her sisters had been raised, located outside of Paris. The Château de Ferrières had been seized by the Nazis during World War II and reminded empty for several years until Marie-Hélène and her new husband decided to reopen the property in 1959. During the 1960s the palace became one of the regular hotspots for extravagant parties in France for movie stars, fashion designers, and socialites.

The invitation, inspired by René Magritte, instructed guests to wear black tie and long gowns—the only other directive was to arrive bearing “Surrealist heads.” Adding to the perversity, the invitation was printed in reverse, such that a mirror was required to decipher it. Here it is:
 
Glimpses of the extravagant Surrealist Ball of 1972  Rothschild-illuminati-party-1972-1invite_465_366_int

The Château de Ferrières was bathed in orange by moving floodlights—the intended impression being that the palace was on fire:

Glimpses of the extravagant Surrealist Ball of 1972  Surrealist10_465_319_int

Upon entering, guests encountered on the main staircase a series of footmen dressed as cats who had “fallen asleep” in a variety of staged poses. As described in the New York Times, Marie-Hélène was dressed as “a stag at the kill, with a mask of towering antlers and pear-shaped diamond ‘tears’ on her face.”
Salvador Dalí himself was there, as well as Brigitte Bardot, Audrey Hepburn, and Marisa Berenson. Baron Alexis de Redé wore a complex hat with multiple faces designed by Dalí.
There’s little doubt that Stanley Kubrick was aware of the Surrealist Ball and drew on it as a resource for the extended party scene in [url=https://www.amazon.com/gp/search/ref=as_li_qf_sp_sr_il_tl?ie=UTF8&tag=boxoffbof-20&keywords=Eyes Wide]Eyes Wide Shut[/url], which was based on Arthur Schnitzler’s 1926 work Traumnovelle. During the inquisitor sequence, when Tom Cruise’s character Bill Harford is being asked to produce a password to verify his identity, the proceedings are interrupted by a naked lady wearing a mask who seeks to “redeem” Harford. There’s a lovely shot of the gathered masked guests gazing up at her that looks for all the world like the still photos taken at the Surrealist Ball.

Glimpses of the extravagant Surrealist Ball of 1972  Surrealist18hosts_465_635_int
The hosts, Guy de Rothschild and Marie-Hélène de Rothschild
 
Glimpses of the extravagant Surrealist Ball of 1972  F2467426fe181b4daccad5fde9a3ba94--image-archive-paris-art_465_724_int
Brigitte Bardot and Leonor Fini preparing for the ball



Glimpses of the extravagant Surrealist Ball of 1972  Surrealist06_465_622_int

Audrey Hepburn wearing a cage


Glimpses of the extravagant Surrealist Ball of 1972  Surrealist02_465_458_int
Dalí and pal lounging on an elaborate sofa-bed inspired by the artist’s mid-1930s artwork depicting [url=https://www.amazon.com/gp/search/ref=as_li_qf_sp_sr_il_tl?ie=UTF8&tag=boxoffbof-20&keywords=dali mae]Mae West[/url]

Glimpses of the extravagant Surrealist Ball of 1972  Surrealist01_465_376_int
Baron Alexis de Redé and a member of the Espírito Santo banking family


Glimpses of the extravagant Surrealist Ball of 1972  Surrealist09_465_343_int
Marisa Berenson wearing an elaborate cage



Glimpses of the extravagant Surrealist Ball of 1972  Threefaces_465_310_int

The man at center was perhaps inspired by M. C. Escher’s 1956 work “[url=https://www.amazon.com/gp/search/ref=as_li_qf_sp_sr_il_tl?ie=UTF8&tag=boxoffbof-20&keywords=Bond of Union]Bond of Union[/url].”


Glimpses of the extravagant Surrealist Ball of 1972  Magritteapple_465_467_int
Magritte’s “[url=https://www.amazon.com/gp/search/ref=as_li_qf_sp_sr_il_tl?ie=UTF8&tag=boxoffbof-20&keywords=Magritte The Son of]The Son of Man[/url]” serving as inspiration here; interestingly, the painting was only 7 years old at the time of the party.


Glimpses of the extravagant Surrealist Ball of 1972  Surrealist08_465_464_int


MORE HERE: https://dangerousminds.net/comments/glimpses_of_the_extravagant_surrealist_ball_of_1972?utm_source=Dangerous+Minds+newsletter&utm_campaign=95b3135694-RSS_EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_ecada8d328-95b3135694-65891333


Thanks to: https://dangerousminds.net



  

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