Sat Mar 23, 2024 11:33 pm by globalturbo
The Tavistock Institute’s Ties to the Birth of Rock ‘n’ Roll
July 14, 2023 Russ Winter
The Tavistock Institute of Social Psychiatry in London PHOTO: Berlin-Athen.eu
The likelihood that the Tavistock Institute was heavily involved in the rock and roll music movement is high. There is even a theory advanced by former MI6 agent John Coleman that Theodor Adorno wrote the lyrics for the Beatles and other British invasion bands. There’s not much evidence to support that aspect of the plot, but Adorno did try to influence and contaminate music.
Therefore, Adorno very well could have been one of the brains behind rock and roll. “Driven Mad” is taken from Tavistock’s training manual. From its modest beginnings in 1921, Tavistock was ready in 1966 to launch a major irreversible cultural revolution aka – the mass culture industry- in America — one that has not yet ended.
According to the “Stanford Encyclopedia of Philosophy,”Adorno was born on Sept. 11, 1903, as Theodor Ludwig Wiesengrund. He was yet another one of those mixed hybrids from Frankfurt that we keep discovering in our research. Was he the scion of yet another hidden Sabbatean Frankist bloodline? He was the only son of a wealthy German wine merchant of assimilated Jewish background.
His mother was an accomplished musician of Corsican Catholic descent. Maria Cavelli-Adorno della Piana was an eminent opera singer. Adorno dropped Wiesengrund and adopted his mother’s family name. He excelled on the piano and thought, for a while, of becoming a composer rather than a philosopher, hence his studies in Vienna with Alban Berg.
Berg was another overrated-but-promoted “composer” of hideous music, which Adorno picked up. The following video is a recording of an awful piano piece Adorno himself composed and performed.
This is the 12-atonal system, consisting of heavy, repetitive sounds taken from the music of the cult of Dionysus and the Baal priesthood. Adorno gave them a “modern” flavor. In other words, Adorno dumbed it down for purposes of creating rock and roll.
Adorno licked his lizard lips in describing this concoction: “What can be urged against the Beatles,” he said during a discussion in the magazine Akzente in 1965, ”is simply that what these people have to offer is something that is retarded in terms of its own objective content. It can be shown that the means of expression that are employed and preserved here are in reality no more than traditional techniques in a degraded form.”
The 12-tone technique is also known as dodecaphony. It’s a method of musical composition devised by Austrian-Jewish composer Arnold Schoenberg (1874–1951) and associated with Second Viennese School composers.
The great composer Richard Strauss described Schoenberg as being in need of a psychiatrist. He said that “he’d do better to shovel snow instead of scribbling on music-paper.” But let’s just compare Schoenberg with Strauss and see where the rubber meets the road, shall we? I don’t think you have to be a musical expert to understand.
Schoenberg’s revolting and twisted ditty called “A Survivor from Warsaw” (1947). Yes, label me a hater.
CONTINUE HERE: https://www.winterwatch.net/2023/07/the-tavistock-institutes-ties-to-the-birth-of-rock-n-roll/
July 14, 2023 Russ Winter
The Tavistock Institute of Social Psychiatry in London PHOTO: Berlin-Athen.eu
The likelihood that the Tavistock Institute was heavily involved in the rock and roll music movement is high. There is even a theory advanced by former MI6 agent John Coleman that Theodor Adorno wrote the lyrics for the Beatles and other British invasion bands. There’s not much evidence to support that aspect of the plot, but Adorno did try to influence and contaminate music.
Therefore, Adorno very well could have been one of the brains behind rock and roll. “Driven Mad” is taken from Tavistock’s training manual. From its modest beginnings in 1921, Tavistock was ready in 1966 to launch a major irreversible cultural revolution aka – the mass culture industry- in America — one that has not yet ended.
Read “The Tavistock Method of Brainwashing and Social Psychiatry”
According to the “Stanford Encyclopedia of Philosophy,”Adorno was born on Sept. 11, 1903, as Theodor Ludwig Wiesengrund. He was yet another one of those mixed hybrids from Frankfurt that we keep discovering in our research. Was he the scion of yet another hidden Sabbatean Frankist bloodline? He was the only son of a wealthy German wine merchant of assimilated Jewish background.
His mother was an accomplished musician of Corsican Catholic descent. Maria Cavelli-Adorno della Piana was an eminent opera singer. Adorno dropped Wiesengrund and adopted his mother’s family name. He excelled on the piano and thought, for a while, of becoming a composer rather than a philosopher, hence his studies in Vienna with Alban Berg.
Berg was another overrated-but-promoted “composer” of hideous music, which Adorno picked up. The following video is a recording of an awful piano piece Adorno himself composed and performed.
This is the 12-atonal system, consisting of heavy, repetitive sounds taken from the music of the cult of Dionysus and the Baal priesthood. Adorno gave them a “modern” flavor. In other words, Adorno dumbed it down for purposes of creating rock and roll.
Adorno licked his lizard lips in describing this concoction: “What can be urged against the Beatles,” he said during a discussion in the magazine Akzente in 1965, ”is simply that what these people have to offer is something that is retarded in terms of its own objective content. It can be shown that the means of expression that are employed and preserved here are in reality no more than traditional techniques in a degraded form.”
The 12-tone technique is also known as dodecaphony. It’s a method of musical composition devised by Austrian-Jewish composer Arnold Schoenberg (1874–1951) and associated with Second Viennese School composers.
The great composer Richard Strauss described Schoenberg as being in need of a psychiatrist. He said that “he’d do better to shovel snow instead of scribbling on music-paper.” But let’s just compare Schoenberg with Strauss and see where the rubber meets the road, shall we? I don’t think you have to be a musical expert to understand.
Schoenberg’s revolting and twisted ditty called “A Survivor from Warsaw” (1947). Yes, label me a hater.
CONTINUE HERE: https://www.winterwatch.net/2023/07/the-tavistock-institutes-ties-to-the-birth-of-rock-n-roll/
